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Waruni Anuruddhika

~ Film and photography

Tag Archives: Black ad White Photography

Passage of heaven …

13 Wednesday May 2020

Posted by waruni Anuruddhika in Art Photography

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Art Photogaphy, Black ad White Photography, COVID19, COVID19Diary, COVID19Pandemic, divine love, dry flowers, fine Art Photograph, fragrant of dry flowers, Green grass, heart note, Isolation, life and death, Monochrome, passage of heaven, Photography, Poetry, Poetry and Photography, potpourri, quarantine, Reflection of self, self Isolation, Silence, social distancing, Sri Lanka, TagsAbstract art, Waruni Anuruddhik

The circle unbreakable ~  We  only  change the mood    ~  untill  break it apart 

#Covid19Diary  #segment of  the visual diary ~ #StayHome #day60

Canon 5D Mark 111 | 24-70 mm 70mm | 15/3200s |f 14

Copyrights Waruni Anuruddhika 2020

 

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Passage of heaven …

11 Monday May 2020

Posted by waruni Anuruddhika in Art Photography

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Art Photogaphy, Black ad White Photography, COVID19, COVID19Diary, COVID19Pandemic, divine love, dry flowers, fine Art Photograph, fragrant of dry flowers, Green grass, heart note, Isolation, life and death, Monochrome, passage of heaven, Photography, Poetry, Poetry and Photography, potpourri, quarantine, Reflection of self, self Isolation, Silence, social distancing, Sri Lanka, TagsAbstract art, Waruni Anuruddhik

The life that we are holding on ~ the other side of it ~ the death

#Covid19Diary  #segment of  the visual diary ~ #StayHome

Canon 5D Mark 111 | 24-70 mm 70mm | 15/3200s |f 14

Copyrights Waruni Anuruddhika 2020

 

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Liquid of love …

10 Sunday May 2020

Posted by waruni Anuruddhika in Art Photography

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Tags

Art Photogaphy, Black ad White Photography, COVID19, COVID19Diary, COVID19Pandemic, divine love, dry flowers, fine Art Photograph, fragrant of dry flowers, Green grass, heart note, Isolation, Liquid of love, Monochrome, passage of heaven, Photography, Poetry, Poetry and Photography, potpourri, quarantine, Reflection of self, self Isolation, Silence, social distancing, Sri Lanka, TagsAbstract art, Waruni Anuruddhika Some day


I could replant in your heart   ~ the most what I need ~ Liquid of love

#Covid19Diary  #segment of  the visual diary ~ #StayHome

Canon 5D Mark 111 | 24-70 mm 70 mm | 15/3200s |f 14

Copyrights Waruni Anuruddhika 2020

 

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Potpourri …

10 Sunday May 2020

Posted by waruni Anuruddhika in Art Photography

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Art Photogaphy, Black ad White Photography, COVID19, COVID19Diary, COVID19Pandemic, divine love, dry flowers, fine Art Photograph, fragrant of dry flowers, Green grass, heart note, Isolation, Monochrome, passage of heaven, Photography, Poetry, Poetry and Photography, potpourri, quarantine, Reflection of self, self Isolation, Silence, social distancing, Sri Lanka, TagsAbstract art, Waruni Anuruddhika Some day

My heart  ~ on the top of  this  dried  flowers  ~  would you add  some potpourri !

#Covid19Diary  #segment of  the visual diary ~ #StayHome

Canon 5D Mark 111 | 24-70 mm 55 mm | 15/3200s |f 14

Copyrights Waruni Anuruddhika 2020

 

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The Kannaki and The Moon

01 Friday Jun 2018

Posted by waruni Anuruddhika in Art Photography

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Tags

18th May, Art Pgotography, Black ad White Photography, Civil War, Disappearances, Disappeared, Documentary Photography, Fine Art Photography, Fine Arts, Goddess Kannaki, Goddess Pattini, High Contrast, Kannaki Amman, Memory, Monochrome, Mullathivu, Mullativu, Pain and Memory, Pattini, Photography, Politics, Post War, Reconsiliation, Religion, Social Justice, Sri Lanka, Vattappalai, Vattappalai Kannaki Amman, Waruni Anuruddhika, Worship

 

Kannahi Amman Kovil , Vattappalai – Mulathivu (Northern Province – Sri Lanka)

Kannaki !!! My Evening prayers for peace …

Canon 5 D Mark III 24 | Copyright Note : Images and text  are copyrighted to Waruni Anuruddhika. using or reprodusing  images and the content for any income generation,  fundraising or funded projects (personal or institutional) are strictly prohibited.

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Beauty in wild …

16 Thursday Nov 2017

Posted by waruni Anuruddhika in Art Photography

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Tags

Art Photography, Black ad White Photography, Cloud forest in Sri Lanka, Endemic plants, Horten Plane, Monochrome, Nature, Photography, Sri Lanka, Waruni Anuruddhika, Wild flowers

© Waruni Anuruddhika 2017

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Light and Dark

09 Thursday Nov 2017

Posted by waruni Anuruddhika in Art Photography

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Art Photography, Black ad White Photography, Contrast, Depth of Field, Fine Art Photography, Light and dark, Monochrome, Photography, Sri Lanka, Waruni Anurudhika

© Waruni Anuruddhika 2017

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In petals of Rose …

28 Saturday Oct 2017

Posted by waruni Anuruddhika in Art Photography

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Tags

Black ad White Photography, Monochrome, Photography, Poetry, Rose, Sri Lanka, Waruni Anuruddhika

In petals of Rose …
rather colours – tenderness …

©Waruni Anuruddhika 2017

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Look at Me

01 Monday May 2017

Posted by waruni Anuruddhika in Art Photography

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Tags

Anthropolory, Art and Culture, Art Photography, Black ad White Photography, Colour Photography, Cornell University, Documentary Photography, Goddess Pattini, Identity, Mario Einaudi Center for International Studies, Ney York, Pattini Rituals, Photography, Photography Exhibiton, Releigion & Worship, Ritualistic Worship, Sociology, South Asia, South Asia Program, Sri Lanka, Veyangoda, Visula anthropology, Waruni Anuruddhika

Look at Me

Canon 5D Mark 111 | 24-70mm

Digital prints| Color and Black and White |8″x12″ | White Matt| Solid  Wood  Natural Frame

Look at Me

A Portrait is a representation of a frozen moment of human emotions and feelings that are situated in a particular time and space. Also, it is embedded in a particular social and cultural context. Hence, each portrait has a story to be told and also leaves an element of a story untold. We will never know the untold story behind the emotions or feelings of the person in the portrait, yet, each portrait will add depth to our humanity.

The exhibition Look at Me is an invitation to read the untold story of a group of people who live in a marginalized community in Sri Lanka. All the men, women and children who are in the portraits in their beautiful dresses were waiting to pay homage to their goddess Pattini. This is the moment they regain their agency and authority through the process of worship. In the ritual parade, the marginalized community becomes the centre of the attention for a small time. That moment helps them to forget the challenges of their daily lives. But what happens after the ritual…

Waruni Anuruddhika

28/04/2017

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Pattini : A Photographic Journey Through the Ritualistic Worship of Goddess Pattini

25 Tuesday Apr 2017

Posted by waruni Anuruddhika in Art Photography

≈ 4 Comments

Tags

Anthropology, Anthropolory, Art and Culture, Art Photography, Black ad White Photography, Colour Photography, Cornell University, Documentary Photography, Goddess Pattini, Identity, Mario Einaudi Center for International Studies, Ney York, Pattini Rituals, Photography, Photography Exhibiton, Releigion & Worship, Ritualistic Worship, Sociology, South Asia, South Asia Program, Sri Lanka, Veyangoda, Visula anthropology, Waruni Anuruddhika

Pattini : A Photographic Journey Through the Ritualistic Worship of Goddess Pattini

Canon 5D Mark 111 | 24-70mm

Digital prints| Color and Black and White |8″x12″ | White Matt| Solid  Wood  Natural Frame

Artist Statement

Rituals and their performance are a vital human process. Religious ritual is important in many societies, as it provides them with a sense of security, mental stability, and a rational for a daily life. This photographic exhibition is a visual representation of the ritual process, and the different modes of worship by a marginalized Tamil community in Veyangoda, Sri Lanka. The exhibition aims to bring forward the frozen moments of a Pattini ritual that is celebrated by the community. The marginalized community is quite unique at it resides in a graveyard which is located 53 km away from Colombo!

The photography in this exhibition captures the frozen moments within the Pattini ritual process. The photos also reveal the embedded tensions in the ritual process. These tensions emerge as a result of an attempt to achieve two contradictory objectives: The ritual practices of their own Tamil culture, and the adaptation of these practices to attract the majority of other Tamil and Sinhala ethnic groups to recognize their presence within the broader community. For the Marginalized Tamils, the Pattini Parade is not only a religious ritual, but also a method to gain recognition within the mainstream for their ethnic and social identity.

This marginalization stems from their treatment by other high cast Tamil ethnic groups linked to their ancestral history. In part this is due the group being descendants of lower caste South Indian Tamils, as well as historical roles as exploited plantation workers. The social exclusion inflicted upon them by the neighboring Sinhala community are reinforces the community’s ongoing marginalization. This social exclusion is enforced due their current labor activities such as garbage collection, and their current place of dwelling in the graveyard. In turn, the marginalized Tamil community intensify their ritual procedures in order to legitimize their presence and gain public recognition.

In all, the exhibition attempts to document and visualize the moments of this community’s social ethno history of the Pattini ritual practices. The photographs do not elicit the history described above, but instead they provide a link to the history of these people, as well as to archive the making of history in the present, in a visual format.

This exhibition is a result of my ongoing work, and proposal to the 2017 Fulbright Award to develop a photographic book about this community.

Journey through the frames and you will encounter the anecdotes about the use of the human body, colors, artefacts, such as dresses and decorations, as well as, the pain this community carries. The viewer will not feel the ritual process as it was, photographs will tell of ritual and the community’s stories… 

296A1781B

296A5453B  296A2151A copy

Mario Einaudi Center for International studies 170 Uris Hall  Cornell Universality

 

 

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